Monday, 10 October 2011

Jerzy Grotowski (1933-1999)

In this lecture we learnt about Jerzy Grotowski who was a Polish theatre director, actor trainer and a theorist. His first work began in 1957 to 1969 with play such as:

  • Forefather's Eve 1961
  • Akropolis 1962
  • Dr. Faustus 1963
  • The Constant Prince 1965
  • Apocalypsis cum figuris 1969
His work was mainly about actor/ audience relationship. Although he regards Stanislavski as the 'Theatrical Grandfather' his theories and work was not similar to his)

The training to actors was also very important to Grotowski. 
  • Voice/ sound projection: Vocal resonators.
  • Physical/ Physique exercises/ Barbra influences: Tumbling, forward rolls, tiger leaps, summersaults.
  • Body/ physical memory: Stimulates actor to become conscious of what they're doing. E.g. Performance, life. Natural movement. 
  • The Plastique's (Plastic Training): Isolations and articulations of joints.
All training to to effect the idea of 'VIA NEGATIVIA' (Latin 'By the Negative')

Researched ritual traditions of other cultures. Transcultures.
Western - Mime, ballet, classical
Other - Haitian, ritual, Yanvalou.

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