- Forefather's Eve 1961
- Akropolis 1962
- Dr. Faustus 1963
- The Constant Prince 1965
- Apocalypsis cum figuris 1969
His work was mainly about actor/ audience relationship. Although he regards Stanislavski as the 'Theatrical Grandfather' his theories and work was not similar to his)
The training to actors was also very important to Grotowski.
- Voice/ sound projection: Vocal resonators.
- Physical/ Physique exercises/ Barbra influences: Tumbling, forward rolls, tiger leaps, summersaults.
- Body/ physical memory: Stimulates actor to become conscious of what they're doing. E.g. Performance, life. Natural movement.
- The Plastique's (Plastic Training): Isolations and articulations of joints.
All training to to effect the idea of 'VIA NEGATIVIA' (Latin 'By the Negative')
Researched ritual traditions of other cultures. Transcultures.
Western - Mime, ballet, classical
Other - Haitian, ritual, Yanvalou.
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